Permanently Moved

01 // Currently in production

An audio-only essay podcast from the frontier of digital culture. Written, recorded and edited by me since 2018.

Permanently Moved podcast cover — a man wearing headphones looks towards a microphone against a tan halftone background, with the text PERMANENTLY MOVED DOT ONLINE.

Permanently moved dot online

Audio essay · Quarterly · Since 2018

permanentlymoved.online

A long-running audio essay show about digital culture, internet culture, and the changing shape of the web.

The show explores internet culture, artificial intelligence, worldrunning, and the shifting tides of social media — life lived online in the shadow of the stack, and what all of that does to the way we live and think.

Regularly in the iTunes Top 100 personal journal charts in countries around the world, and once at number one.

New episodes land quarterly. Subscribe wherever you get your podcasts.

02 // Two eras of the show

One show, two very different shapes. The first run was a stopwatch; the second takes its time.

2018–2025 · 301 episodes · Weekly

Exactly 301 Seconds

For its first run, Permanently Moved was a weekly essay show exactly 301 seconds long. Five minutes and one second, every week, for three hundred and one episodes.

Any given episode might explore an aspect of the internet and how it changes us; stories about long-dead saints and why they matter; or the existence of a wild crisp conspiracy in the heart of UK supermarkets.

Tightly scripted, yet nakedly transparent about the creative process. A small, sharp thing you could finish before the kettle boiled.

2026 onwards · Quarterly · Longer

The Long Way Round

The show has changed pace and scale. It is now a quarterly release: longer-form, and more willing to take the long way round.

Episodes are still tightly written, but with more space for detours, context, and the odd obsession to fully unfold.

Each new episode arrives alongside Start Select Reset, its print companion — an essay in the post four times a year, with an introduction and afterword that don’t exist in the audio.

03 // In the charts

A small independent audio essay show, surprisingly well travelled.

Screenshot of the iTunes Top 50 chart showing the 301 permanently moved podcast ranked at number 44, with a green arrow indicating it has moved up 13 positions.
UK Top 50 Personal Journals, January 2020

In January 2020 Permanently Moved broke into the iTunes UK Top 50 Personal Journal podcasts chart for the first time; only 43 places behind 301’s bête noire Desert Island Discs.

It has since appeared in the Top 50 podcast charts in countries including Brazil, South Africa, and Sweden. In January 2023 it reached #1 in Personal Journals in Iceland — a small but very pleasing moment for an independent audio essay podcast.

04 // Newest episode

  • INTERNET OPERATOR

    INTERNET OPERATOR

    Social media as theatre: a long-form audio essay about puppets, profiles, avatars, AI, and how identity is animated online.

05 // Every episode

The full archive, newest first. More than three hundred episodes since 2018.

  • Monsters In The Mirror

    Monsters In The Mirror

    What are large language models, really? On AI, Language, and the new entities that wear language as their skin.

  • Pre-Flight: The New Container

    Pre-Flight: The New Container

    I’m emerging from a chrysalis. Six months since I finished 301, and closed the loop on the biggest creative project of my life.

  • Episode 301

    Episode 301

    Begun at age 32, completed today, the day after I turned 40: one fifth of a lifetime distilled into a body of work.

  • Landing Sequence

    Landing Sequence

    This show represents an enormous amount of effort and discipline. Sustaining any single format for eight years is achievement enough for me.

  • King of Mind | 2518

    King of Mind | 2518

    The glowing screen does not possess the king of mind. You merely have rehearsed the reflex of the infinite scroll.

  • It’s Beginning to Feel a Bit Like The Future | 2517

    It’s Beginning to Feel a Bit Like The Future | 2517

    We must attempt to reclaim some proximity to the future. We have to stop strip-mining yesterday and act as though the future is already…

  • Tales Untold | 2516

    Tales Untold | 2516

    It is the graft that reveals the craft. 

  • No-Go London | 2515

    No-Go London | 2515

    Over the last few months I’ve been having a conversation with someone about why, exactly, “London is over/a bleak woke dystopia”

  • More Distant Than Ever | 2514

    More Distant Than Ever | 2514

    Growing up in Britain in the 1990s, America felt like a country that existed only on television and in toy boxes. A place across…

  • GPT Job Losses: Slowly, Then Suddenly | 2513

    GPT Job Losses: Slowly, Then Suddenly | 2513

    AI boosters on LinkedIn will have you belive AI will be taking everyone’s job tomorrow, but the anti-AI voices however still say never.

  • Overdosed on AI Music | 2512

    Overdosed on AI Music | 2512

    This week, I stood at the Slop Machine, experiencing not the future, but the extreme present. All day, every day, I’ve been listening to…

  • Be Generous Online | 2511

    Be Generous Online | 2511

    Generosity is the protocol that transforms the web from a collection of isolated ‘contents’ into a thriving, interconnected community.

  •  The Work Of The Body, Though Toil | 2510

     The Work Of The Body, Though Toil | 2510

    Amidst the day-to-day rhythms of the body, The Artist must pay attention to the humble thoughts that might become great actions.

  • Surface Without Substance | 2509

    Surface Without Substance | 2509

    With its smooth, depthless glass, the smartphone is the ultimate surface. It denies the body its place in the interface.

  • Leaving Worlds Behind | 2508

    Leaving Worlds Behind | 2508

    To run a world is to be responsible for its edges as much as its centre.

  • Practice Makes Progress | 2507

    Practice Makes Progress | 2507

    Another reflection in my long running ‘Artist’ series, on why the journey matters more than the destination. Creation begets creation. Practice makes progress.

  • Information Age Iconoclasm | 2506

    Information Age Iconoclasm | 2506

    The Ghibli image crisis isn’t really about copyright or ethics. It’s about who gets to make images? and what gives them meaning.

  • Helpful LLocal Models | 2505

    Helpful LLocal Models | 2505

    Tutorial engines are coming. And they’ll run atop local AI models embedded in our devices at the OS level..

  • Human Gunk and the AI Slopocalypse | 2504

    Human Gunk and the AI Slopocalypse | 2504

    If you find it hard to distinguish between content slop written by AI or content written by a human, don’t worry.

  • Desktop Publishing | 2503

    Desktop Publishing | 2503

    I can’t remember the last time I heard anyone seriously use the phrase ‘Desktop Publishing.’ Maybe the mid-2000s?

  • Email is a Destination | 2502

    Email is a Destination | 2502

    In primary school, we had a lesson in the new computer lab which involved sending an email to each other at adjacent desks.

  • Survive Until 2025 | 2501

    Survive Until 2025 | 2501

    Survive Until 2025. 2024 is leaning over into this year in a way that makes everything feel very precarious.

  • EOY 2024 | 2430

    EOY 2024 | 2430

    Permanently Moved will be evolving next year. 301, 301 second long episodes, is enough.

  • The Processing of Words | 2429

    The Processing of Words | 2429

    In 1984, author Ray Hammond reminded readers that ‘the computer has no power to write words.’

06 // Never miss one